Mixing, mastering for $500

I'm a mixing and mastering engineer based in Los Angeles with over 20 years of experience at the top level of the music industry — Grammy-nominated for my mix of Stanley Clarke's "Last Train to Sanity," and trained at Berklee College of Music (B.M., Music Production & Engineering).
Over the past two decades I've mixed and mastered for Grammy winners and internationally recognized artists including Ledisi, Shaggy, Wax, MonoNeon, Jean-Luc Ponty, and Biréli Lagrène, across jazz, R&B, pop, and singer-songwriter records. My mixes have also been placed in film and television — including Love Is Blind, Love Island, The Voice, and Dateline NBC — so I'm equally comfortable delivering a radio-ready commercial single or a broadcast-spec stem mix for sync. I mix hybrid - combining analog and in the box techniques using top of the line equipment: Apogee Symphony, UAD Apollo and Satelite, Neve Orbit, Dynaudio Core 59, Dangerous Source, Tegeler Creme RC, WesAudio Hyperion and Rhea, Softube Console and Fader 1, UAD LA-610 MKII and more.
What I offer:
- Full stereo mixing from your recorded/produced tracks
- Mastering (stand-alone or paired with your mix)
- Dolby Atmos immersive mixing for artists and labels moving into spatial audio — still rare on this platform, and something I do at a professional, delivery-ready standard
- Vocal-forward, radio-ready mixes as well as more experimental/produced work, depending on the song

My process:
1. Send me your session or stems (WAV/AIFF, 24-bit, unmixed/unmastered — no limiter or master bus processing on the 2-mix, please) along with a reference track or two so I understand the direction you're going for.
2. I mix and send you a full-quality reference mix (MP3 or WAV) to review.
3. You send notes — I revise until the mix is right. [2] rounds of revisions are included.
4. Final delivery in whatever format you need — typically 24-bit/48kHz WAV, plus an MP3 for reference. Stems available on request.