Nahuel Bronzini is a 2-time Grammy Award-winning music producer, arranger, and mixing engineer born and raised in Argentina, and now thriving in the SF Bay Area as a hidden gem working with the best and brightest in the Bay.

Fantastic Negrito’s Grammy Award Winning albums “Please Don’t Be Dead” and “Have You Lost Your Mind Yet?” are known for their wide, lush...
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Nahuel Bronzini is a 2-time Grammy Award-winning music producer, arranger, and mixing engineer born and raised in Argentina, and now thriving in the SF Bay Area as a hidden gem working with the best and brightest in the Bay.

Fantastic Negrito’s Grammy Award Winning albums “Please Don’t Be Dead” and “Have You Lost Your Mind Yet?” are known for their wide, lush, exciting live instrumentation, which Nahuel engineered with passion and precision. When R&B legends Tony Toni Toné need string arrangements or studio time in the Bay Area, they call up Nahuel.

Well-versed in writing and recording string arrangements, horns, pop, folk, and chamber ensembles, Nahuel is a master of multifaceted disciplines that come together in every way to support the music and the elevation of each song beyond the concept of genre.

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Finding what makes a song sound unique and self-contained is like creating a universe with its own rules and properties. We just need to listen. It’s all there for us already. But we have to pay attention to find it.

We are telling a story and the sounds that come in and out are our way to support the narrative. The textures, colors, and the space in between are powerful forces we can use to evoke emotions.

I love to create imaginary sonic spaces for songs to live in. It’s sort of like painting with sound. I always like to say that I like to find that place in between the natural and the supernatural.

A good mix that supports an incredible song has the ability to make us feel through the speakers. It’s not easy. But it’s a beautiful challenge that takes us on a journey.

Bringing ideas to life in the context of live instrumentation is its own art form. Each instrument has a character and a personality. When we put multiple instruments together, they vibrate in ways that are impossible to emulate.

Writing musical parts that complement a song is one of my favorite things, and seeing them come to life at the studio is a moment of magical birth. String quartet, horn sections, vocal ensembles, and so forth. Each combination of instruments is a universe to discover and paint with.

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