Ask me what it really takes to get Billboard-Charting Songs.
I am easy to reach through a Video Call!
-- Grammy Winning Producer for "Best RnB Album" (John Legend's Bigger Love) --
BIO // https://reservoir-media.com/listing/keith-ten4-sorrells
I am a Protege of Oak Felder. "In the studio with Grammy-nominated music producer Oak Felder" https://youtu.be/0mUC8nO8-HA
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Ask me what it really takes to get Billboard-Charting Songs.
I am easy to reach through a Video Call!
-- Grammy Winning Producer for "Best RnB Album" (John Legend's Bigger Love) --
BIO // https://reservoir-media.com/listing/keith-ten4-sorrells
I am a Protege of Oak Felder. "In the studio with Grammy-nominated music producer Oak Felder" https://youtu.be/0mUC8nO8-HA
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HIRE ME
My Account Administrator Luis, will be responding to all of my messages to get us connected and assist us with scheduling and budgeting.
During my day job, I am in studio sessions with Record Producer Oak Felder working with Top Charting Artists from Atlantic, Def Jam, & Republic. During my free time, I enjoy working with upcoming artists via Airgigs to be inspired by new tastes of music.
Original songs are hard to come by. I won't just grab random loops and stock sounds that have been used in every production. Every good song begins with a plan. I will listen to your references to create a customized sound selection that is right for your song. This enables the creative process to flow easily in order for us to create a song from scratch that is original and achieves the artist's vision.
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SONGS I CO-PRODUCED
https://open.spotify.com/playlist/16MO4xORwAWqaU5eZ6bEqa?si=UqywvXcUSXOW1aKYMXjFNA
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GET TO KNOW ME
Q: Who are artists that inspire you?
A: Sophie. Flume. Cashmere Cat. LIDO. Howard Benson.
Q: What's your typical work process?
A: I have clients list artists that they are inspired by. From there, together we focus on the sound selection based on references. I look for what drums were used and common chord progressions.
Q: What do you bring to a song?
A: Novice producers typically use generic sounds, they don't push the boundary. Often they use loops and don't put much thought into the realism of the performance. Much of this unhelpful workflow comes from ego. When working with clients, I never start the conversation about my own taste of music. Instead, I begin with listening to the artist with the intent of every artist leaving with a new found confidence in their sound.
Q: Can you share one music production tip?
A: Being crazy on the production is fun, but the focus should always be on a well written song. My focus is not to see how cool I can may a track, but rather how happy an artist can sleep at night with their new song.
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