Hey, I’m Stu Richardson—bassist for Thursday, producer, mixer, mastering engineer, and songwriter. Originally from Wales, now based in Florida.

I’ve been doing this nearly 30 years—on the road, in the room, behind the glass. I’ve worked on Platinum and Gold records, songs with 385+ million streams, and music for film, TV, and games.

I’ve mixed and produced...
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Hey, I’m Stu Richardson—bassist for Thursday, producer, mixer, mastering engineer, and songwriter. Originally from Wales, now based in Florida.

I’ve been doing this nearly 30 years—on the road, in the room, behind the glass. I’ve worked on Platinum and Gold records, songs with 385+ million streams, and music for film, TV, and games.

I’ve mixed and produced for Thursday, No Devotion, SWIMM, Kingdom of Giants, Save Your Breath, Mickey Shiloh, Bars and Melody, and more. I’ve worked with Sony, BMG, Columbia, Equal Vision, Fearless, Dine Alone, and Netflix.

I still tour with Thursday and No Devotion, and that live perspective shapes every mix I do. It’s not just about how something sounds—it’s about what it does to you.

I’ve worked in some of the best studios in the world—Hansa, Sunset Sound, Ocean Way, Barefoot, Tarbox, NRG, and The Warehouse—and learned from some of the best to ever touch a console: Dave Fridmann, Alan Moulder, Bob Rock, Ken Andrews, Steve Evetts, Eric Valentine, and more.

I mix in Pro Tools using a hybrid analog setup. Whatever you’re working in—I’ll meet you where you are.

⸻

Here’s the deal:

I care about emotion and intention.
I want your mix to sound like you.
Not a template. Not a preset.
Definitely not a fucking algorithm.

If it’s real, and you give a shit, I’m in.

I’ve been lucky enough to work in legendary studios like Hansa, Sunset Sound, Ocean Way, Barefoot, Tarbox, NRG, and The Warehouse, and I’ve learned from working with—and alongside—some of the best: Dave Fridmann, Bob Rock, Eric Valentine, Ken Andrews, Alan Moulder, John Feldmann, Steve Evetts, and Alex Newport.

I mix in Pro Tools, using a hybrid analog setup. Whether you’re in Pro Tools or any other DAW, I’ll get you sorted—stems, sessions, whatever you’ve got.

⸻

Here’s the deal:

I care about emotion, intention, and impact. I want your songs to sound like you.

Not a template. Not an algorithm.
It’s too late for that to matter anymore…

If you’re making something honest, heavy, smart, strange, or beautiful—let’s talk.
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