I trained under Alan Moulder and Flood at Assault & Battery Studios in London, working alongside them on records for Goldfrapp, The Killers featuring Lou Reed, The Charlatans, and Puscifer. That experience—watching two of the best in the world shape sound—defined everything about how I work today.

Now I mix and produce from The Basement, my analog studio near Lake Como, built ar...
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I trained under Alan Moulder and Flood at Assault & Battery Studios in London, working alongside them on records for Goldfrapp, The Killers featuring Lou Reed, The Charlatans, and Puscifer. That experience—watching two of the best in the world shape sound—defined everything about how I work today.

Now I mix and produce from The Basement, my analog studio near Lake Como, built around a rare 1970s Raindirk Series III console (the same desk behind classic records by Queen, Pink Floyd, David Bowie, Led Zeppelin, The Who, The Rolling Stones). My credits span rock, electronic, and everything in between—including work with The Bloody Beetroots, Ibibio Sound Machine and projects for film and television.

My approach is simple: technical precision in service of emotion. I don't have a "sound" I impose on your music. I have 25 years of experience making sure your music sounds exactly like it should—only bigger, clearer, and more alive.

Beyond the studio, I've spent over a decade sharing my knowledge as an educator at SAE Institute and now at Middlesex University, teaching the next generation of audio professionals.
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