I am a mixing/mastering engineer and music producer with over 20 years of deep sonic exploration across jazz, independent hip-hop, avant-garde electronics, and techno. My approach is highly individual, deliberate, and focused on crafting a unique sonic identity rather than following generic, over-compressed industry trends. As a producer and sound artist, I understand music from the inside out. I&...
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I am a mixing/mastering engineer and music producer with over 20 years of deep sonic exploration across jazz, independent hip-hop, avant-garde electronics, and techno. My approach is highly individual, deliberate, and focused on crafting a unique sonic identity rather than following generic, over-compressed industry trends. As a producer and sound artist, I understand music from the inside out. I’ve shaped the sonic character of around 100 albums globally ; my credits include mixing EABS – "Repetitions (Letters to Krzysztof Komeda)" , Levitation Orchestra – "Inexpressible Infinity", Cykada – "Cykada", and Włodi ("Anorak" / "HHULTRAS") —which represent just a small fraction of my catalog. Beyond the mixing desk, I am an active composer and founder of acclaimed projects like kIRk and Sarmacja. My work has been praised by figures like Michael Gira (Swans) and Nils Petter Molvær. Recently, I fully produced the deep, traditional-meets-modern album "Canes of Karabakh". I have my own musical style and a distinct philosophy on sound. My work is never "transparent" or invisible. It resonates deeply with certain artists who hear it and say, "This is exactly what I've been looking for"—while it might not be for everyone. I don't do generic audio engineering. The best way to understand my sonic worldview is to listen to my works.
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