Welcome.

I can mix and premaster your tracks at a very interesting price compared to the quality of the render you'll get.
I mostly worked with Pop, R&B, Rap, and Pop Rock genres, but as a composer I also produced and mixed Disco, Soul, Funk, Techno, Dub, Trance, House, Scoring, globally Electronic genres, ect.
I'm simply not bound to any genre.

I work with powerful digital tools, and ...
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Welcome.

I can mix and premaster your tracks at a very interesting price compared to the quality of the render you'll get.
I mostly worked with Pop, R&B, Rap, and Pop Rock genres, but as a composer I also produced and mixed Disco, Soul, Funk, Techno, Dub, Trance, House, Scoring, globally Electronic genres, ect.
I'm simply not bound to any genre.

I work with powerful digital tools, and sometimes hardware when really needed by the client, knowing what it's wants.

It's 2022, a lot of top notch hit makers and even more traditional genres mixers are gone fully ITB because everyone knows it is fully possible to produce mixes as qualitative as ones processed with analog equipment. It is an irresistible sell argument still, but mostly in the client side. The working professionals know it. I can take the bet to produce a mix as good, silky, punchy, and any glorious word often attributed to analog processors if you already had the experience of having one.

I started producing some music in a independent way ten years from now. Recording some bands, making electronic stuff.
When working with rappers and the local hip-hop scene from my region, around 2015, I began to learn about mixing and the power of making a track "real". I never stopped practicing and learning, bought books, consumed online videos. It was a real fascination. I finished my technical sound school by the end of 2019, working in a famous venue in France, specialized in classical music sonorisation, with the addition of recording studios experiences where I had my first contacts with hardware and analog machines.

I propose here to share my passion and knowledge to push your tracks to the next level, with a sleek, punchy, sturdy founded, and open signature sound for a cheap price, knowing you can get a refund if you think the work has not been done.

I monitor with a HS5, HS8, and HS8S monitoring system, in a quite small room, with mastering grade premium quality converters (126 dB of dynamic range)
The room is being treated and the monitoring system has been calibrated. I ended selling all my mixing hardware (previous setup was an analog GB4-24, then an SSL summing mixer) working strictly with well known digital audio principles of DSP.

I work with the best digital tools, and keep a constant watch on what's new, educate myself on DSP technology daily, to always bring a sharp approach to the mixing process.

I can also access hardware, analog or digital, but it may include additional faires
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